150 deg F an hour to 250 deg F
400 deg F an hour to 2050 deg F
120 deg F an hour to 2250 deg F
60 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F
A half hour hold at 1750 deg F
A three hour hold at 1700 deg F
slow downfire at 25 deg F an hour in the interval 1700 deg F to 1650 deg F
A one hour hold at 1650 deg F
On entering the kiln, the contrast inlay glaze abuted the background
glaze. There was no overlap or gaps between the two.
Nevertheless In the
closeups, one sees an interfacial region between the contrast glaze and the
ground glaze,
which is distinct from both. Here we see two distinct
background glazes with the same inlay glaze.
In the glaze alexanderBowl_Z15_0 there is a gradual migration of
properties.
By contrast in the glaze hanksSatin_ZV_0
artifacts unrelated to either the background glaze or the inlay glaze
appear.
One might do a line design in an inlay glaze, sufficiently thin
that only the interfacial region appeared.
The purpose would be to capture
the amazing interaction effects.
In each case I show an enlarged picture of the inlay, and also a picture of the entire bowl.
K2O 0.08
Na2O 0.05
Li2O 0.00
CaO 0.70
MgO 0.17
Al2O3 .48
SiO2 2.65
molecular percent Silica 64 %
K2O 0.12
Na2O 0.04
Li2O 0.00
CaO 0.48
MgO 0.02
BaO 0.34
Al2O3 .38
SiO2 2.56
molecular percent Silica 65 %
K2O 0.21
Na2O 0.23
Li2O 0.05
CaO 0.20
MgO 0.01
SrO 0.30
Al2O3 .6
SiO2 3.02
TiO2 0.18
molecular percent Silica 63 %
glaze has .1 % Crome oxide added.