The effect of More phosphorus

Prologue: Two glazes with and without phosphorus:

The next step, a substantial increase in phosphorus, to .2 molecular equivalents, with a reduction of the silica by that amount.

I used ferrous phosphate to allow high phosphorus without the high calcium that results from the use of Bone Ash
as a phosphate source.

I thank Hank Murrow for suggesting this experiment and providing the required ferrous phosphate.

This is the same firing protocol as used for the precursor glaze.

oxidation firing to cone 10 in an electric kiln

Firing profiles

Up Fire profile

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2300 deg F with a hold of 20 minutes at 2300 deg F

Down Fire Profile

300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F

300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F

25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F

Clay body is a grolleg porcelain from Tacoma Clay Art Center.

glaze compositions

Empirical Formula glaze satIron_ZG_0PP :

The glaze with .2 molecular fraction Phosphorus

K2O        .1
Na2O        .48
Li2O        .2
CaO        .16
MgO        .06

Al2O3        .6
Fe2O3        .2

SiO2        2.95
P2O5        .2

molecular percent Silica 60%



Glaze satIron_ZG_0PP

full view

inside of bowl:



full view

Outside of bowl:



bowl is ~3 inches in diameter



Remarks

the glaze on the inside of the bowl exhibits a dense cover comprised of metallic gold micro-crystals where
the glaze is thickly applied. There is no background glaze visible on most of the inside of the bowl. Its appearance is that of a crumpled mirror.

The dark non-sparkly parts on the inside of the bowl are an artifact of the surface geometry -
The micro-crystals that are angled away from the light do not appear reflective in photographs.

The glaze on the outside of the bowl is thinner, perhaps half the thickness of the glaze on the inside. There is a sparse dusting of
metallic gold crystals, not visible in the photograph.

With this much phosphorus in the glaze, the non-crystalline part of the glaze is mostly orang-y brown rather than black.

The replacement of some silica with Phosphorus seems to have effected neither the fluidity of the glaze nor its surface texture;
it remains a textured gloss. This is consistent with the fact that phosphorus is a glass former, though it might be
a more refractory glass former than silica.

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