Firing time vs. temperature

I show the effect of a slower colder firing, and more time in the approach to Cone 10, with a lower firing temperature on a saturated iron glaze.

Previously I'd shown that contrast

here

and here

Now I show a different glaze in two cone 10 firings. The first firing is to 2310 deg F,
the second slower but only to 2230 deg F.

First Firing

faster firing to cone 10 at 2310 deg F.

Inside of pot:

full view



Second Firing

slower firing to cone 10 at 2230 deg F

Inside of pot:

full view

Outside of pot:

full view



oxidation firing to cone 10 in an electric kiln

Firing profiles

The differences between the first and second upfire profiles are:

The top temperature, 2310 deg F for the first, 2230 deg F for the second.

The temperature ramp is steeper for the first firing, slower for the second.

Up Fire profile 1

Faster and hotter:

150 deg F an hour to 200 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile 1

300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F

300 deg F an hour to 1700 deg F then a three hour hold at 1700 deg F

25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F



Up Fire profile 2

Slower and cooler

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2150 deg F

13 deg F an hour to 2200 deg F / hold 1 hr

13 deg F an hour to 2230 deg F / hold 1 hr

Down Fire Profile 2

300 deg F an hour to 1900 deg F then hold 2 hours

300 deg F an hour to 1850 deg F then hold 2 hours



Clay body is a grolleg porcelain from Tacoma Clay Art Center.

glaze composition

Empirical Formula glaze satIron_ZG_H_2 :

K2O        .10
Na2O        .50
Li2O        .20
CaO        .14
MgO        .06

Al2O3        .66
Fe2O3        .21

SiO2        3.21
P2O5        .04

molecular percent Silica 63%



bowls are ~ 4 inches in diameter



Remarks

This glaze in my usual firing is a full gloss, and has a near dense coverage of golden metallic microcrystals. It's a purplish black
in the interstices between the micro-crystals, and also in the bottom of the bowl, where the glaze is thickly applied.
This is seen in the first picture.

In the variant firing, to a lower temperature with a slower ramp, it is a full gloss, dark brown, with an adventurine sparkle,
and has no metallic microcrystals. As seen in the second pair of pictures.

I attribute the lack of metallic micro-crystals to the lower final firing temperature, although the
slower temperature ramp may be relevant as well.

Next is an even slower ramp to cone 10, with an even lower final firing temperature.

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