On a semi-matte iron free glaze, I show the effect of a slower, colder firing
and more time in the approach to Cone 10.
I'd shown the effect of a slower cooler firing on a saturated iron glaze
Then I displayed the result of a slower, cooler firing on a semi-matte iron
free glaze in two cone 10 firings
Now, I exhibit one glaze in four different cone 10 firings of varying lengths,
with distinct final temperatures.
I developed these firing profiles using the Orton Cone prediction calculator,
formerly available on the Orton Foundation Web Page.
For the last firing, I also display this glaze on a different clay body.
faster firing to cone 10 at 2310 deg F.
Inside of pot in grolleg porcelain:
slower firing to cone 10 at 2230 deg F
Inside of pot in grolleg porcelain:
slower firing to a low cone 10 at 2190 deg F
Inside of pot in grolleg porcelain:
slower firing to cone 10 at 2220 deg F
Inside of pot in grolleg porcelain:
To show the effect of the clay body, here is this glaze on a different
clay, crystal springs porcelain:
The differences between the first fast firing and the other three firings is
primarily in the top temperature reached, and the lengths
The top temperature, 2310 deg F for the first, 2230 deg F for the second, 2190
deg F for the third, and 2220 deg F for the fourth.
The temperature ramp is steeper for the first firing, slower for the others.
Faster and hotter:
150 deg F an hour to 250 deg F
400 deg F an hour to 2050 deg F
120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F
300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F
300 deg F an hour to 1700 deg F then a three hour hold at 1700 deg F
25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F
Slower and cooler
150 deg F an hour to 250 deg F
400 deg F an hour to 1800 deg F
300 deg F an hour to 2050 deg F
120 deg F an hour to 2150 deg F
13 deg F an hour to 2200 deg F / hold 1 hr
13 deg F an hour to 2230 deg F / hold 1 hr
300 deg F an hour to 1900 deg F then hold 2 hours
300 deg F an hour to 1850 deg F then hold 2 hours
Slower and cooler
150 deg F an hour to 250 deg F
400 deg F an hour to 1770 deg F
40 deg F an hour to 2130 deg F
13 deg F an hour to 2150 deg F / hold 4 hr
13 deg F an hour to 2170 deg F / hold 2 hr
13 deg F an hour to 2190 deg F / hold 2.5 hr
300 deg F an hour to 1900 deg F then hold 2 hours
300 deg F an hour to 1850 deg F then hold 2 hours
Slower and cooler
150 deg F an hour to 250 deg F
400 deg F an hour to 1770 deg F
300 deg F an hour to 1860 deg F
120 deg F an hour to 2140 deg F
13 deg F an hour to 2190 deg F / hold 2 hr
13 deg F an hour to 2220 deg F / hold 2 hr
300 deg F an hour to 1900 deg F then hold 3 hours
300 deg F an hour to 1850 deg F then hold 3 hours
This glaze is derived from an empirical formula given by Nigel Wood for the
pot known as the Alexander Bowl.
K2O .09
Al2O3   .43
SiO2   2.7
molecular percent Silica 65%
This glaze in my usual firing, Firing One, is a textured gloss. It is
translucent, rather than transparent as a result of its textured surface.
In Firing Two, to a lower temperature with a slower ramp, it is a translucent
matte glaze with a soft,
In Firing Three, slower still, but not quite cone 10, it shows the formation
of matte micro-crystals on its surface, this is seen in the third picture.
In Firing Four, slower still and with longer holds in the down-fire, the
micro-crystals seen in Firing three now dominate
In Firing Four, on a different porcelain body, the micro-crystals are dense.
The three slower firings have holds at
different temperatures both in the up-fire and down-fire part of the firing cycle.
Firing One
bowl is ~ 4 inches in diameter
Firing Two
bowl is ~ 4 inches in diameter
Firing Three
This firing has longer
holds in the up-firing than Firing 2 above.
bowl is ~ 6 inches in diameter
Firing Four
This firing has long
holds in the up-firing and longer holds in the down-fire as well.
bowl is ~ 4 inches in diameter
free form slab is ~ 4 inches in diameter
oxidation firing to cone 10 in an electric kiln
Firing profiles
of the holds getting
to that top temperature.
Up Fire profile 1
Down Fire Profile 1
Up Fire profile 2
Down Fire Profile 2
Up Fire profile 3
Down Fire Profile 3
Up Fire profile 4
Down Fire Profile 4
Clay body for bowls is a grolleg porcelain from Tacoma Clay Art Center.
Clay body for slab is a crystal springs porcelain from Georgies.
glaze composition
Empirical Formula glaze alexanderBowl_0_Z1Y :
Na2O .06
CaO .69
MgO .16
Fe2O3   .02
Remarks
Careful inspection with a loupe fails to find surface crystals or opaque
particles within the glaze.
This is seen in the first picture.
lustrous surface. This is seen in the second
picture.
the surface appearance of the
glaze, this is seen in the fourth picture.