On a semi-matte iron free glaze, I show the effect of a slower, colder firing
and more time in the approach to Cone 10.
I'd shown the effect of a varying the firing profile on a variety of glazes:
Now, I show one glaze in three different cone 10 firings of varying lengths,
with distinct final temperatures.
I developed these firing profiles using the Orton Cone prediction calculator,
formerly available on the Orton Foundation Web Page.
fast firing to cone 10 at 2310 deg F.
Inside of pot:
Outside of pot:
slower firing to a low cone 10 at 2190 deg F
Inside of pot:
slower firing to cone 10 at 2220 deg F
Inside of pot:
Outside of pot:
The differences between the first fast firing and the other two firings is
primarily in the top temperature reached, and the lengths
The top temperature, 2310 deg F for the first, 2190 deg F for the second,
and 2220 deg F for the third.
The temperature ramp is steeper for the first firing, slower for the others.
Faster and hotter:
150 deg F an hour to 250 deg F
400 deg F an hour to 1800 deg F
300 deg F an hour to 2050 deg F
120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F
300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F
300 deg F an hour to 1700 deg F then a three hour hold at 1700 deg F
25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F
Slower and cooler
150 deg F an hour to 250 deg F
400 deg F an hour to 1770 deg F
40 deg F an hour to 2130 deg F
13 deg F an hour to 2150 deg F / hold 4 hr
13 deg F an hour to 2170 deg F / hold 2 hr
13 deg F an hour to 2190 deg F / hold 2.5 hr
300 deg F an hour to 1900 deg F then hold 2 hours
300 deg F an hour to 1850 deg F then hold 2 hours
Between firing 1 and 2 in both speed and final temperature
150 deg F an hour to 250 deg F
400 deg F an hour to 1770 deg F
300 deg F an hour to 1860 deg F
120 deg F an hour to 2140 deg F
13 deg F an hour to 2190 deg F / hold 2 hr
13 deg F an hour to 2220 deg F / hold 2 hr
300 deg F an hour to 1900 deg F then hold 3 hours
300 deg F an hour to 1850 deg F then hold 3 hours
This glaze is derived from an empirical formula given by
Brian Sutherland in "Glazes from Natural Sources"
K2O .1
Al2O3 .45
SiO2 2.4
molecular percent Silica 61%
This glaze in my usual firing, Firing One, is a waxy matte. It has a soft smooth
lusterous surface. It is a pale yellow with an overlay
In Firing Two, slower to a lower temperature, but not quite cone 10, it is a
dry matte with brown speckles and no grey. This is seen in the third
picture.
In Firing Three, slower still, to a slightly higher temperature and definitely
cone 10, it shows the formation of matte micro-crystals
The two slower firings have holds at
different temperatures both in the up-fire and down-fire part of the firing
cycle.
Firing One
bowl is ~ 4 inches in diameter
Firing Two
This firing has longer
holds in the up-firing than Firing 2 above.
bowl is ~ 6 inches in diameter
Firing Three
This firing has long
holds in the up-firing and longer holds in the down-fire as well.
bowl is ~ 4 inches in diameter
Firing profiles
of the holds getting
to that top temperature.
Up Fire profile 1
Down Fire Profile 1
Up Fire profile 2
Down Fire Profile 2
Up Fire profile 3
Down Fire Profile 3
Clay body is a grolleg porcelain from Tacoma Clay Art Center.
glaze composition
Empirical Formula glaze paleGreyYellow :
Na2O .02
CaO .7
MgO .18
Fe2O3 .06
Remarks
of greyish green.
This is seen in the first pair of pictures.
on its surface which
are embedded in a translucent waxy matte matrix. The opaque crystals in a
translucent matrix
is seen most clearly on the outside of the pot. This is
seen in the last pair of pictures.