This is a moderate phosphorus, saturated iron glaze with oil spots, and metallic
luster, and significant pitting.
Its uneven bumpy surface is caused by chemical reactions that continued past
the finish of the heating cycle.
inside of bowl:
Outside of bowl:
150 deg F an hour to 250 deg F
400 deg F an hour to 1800 deg F
300 deg F an hour to 2050 deg F
120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2300 deg F
300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F
300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F
25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F
The glaze with .07 molecular fraction Phosphorus
K2O .31
Al2O3 .82
SiO2 4.28
molecular percent Silica 67%
If applied thickly enough, the glaze mazama_Z2A is a mixture of blacks,
greens, oranges and yellows with flecks of metallic gold particles.
If applied thinly, as on the outside of the bowl, the pitting is less
prominent, but the exciting range of colors also is lost.
The metallic luster is difficult to photograph properly. While it is less
prominent on the inside, it is more evident on the outside
This glaze is as viscous as might be expected for one with such high alumina,
and low silica:alumina ratio. That high viscosity
mazama_Z2A
bowl is ~3 inches in diameter
oxidation firing to cone 10 in an electric kiln
Firing profiles
Up Fire profile
Down Fire Profile
Clay body is a grolleg porcelain from Tacoma Clay Art Center.
glaze compositions
Empirical Formula glaze mazama_Z2A :
Na2O .28
CaO .17
MgO .24
Fe2O3 .24
P2O5 .04
Remarks
This can
be seen on the inside of the bowl. Unfortunately, this application also
results in heavy pitting,
which is why I refer to it as the one that got away.
This is most evident
near the foot.
than seen in the
above images.
makes movement within the
glaze slow and facilitates the growth of a variety of distinctive
micro-crystals.