Reactions at the interface between two glazes

The interaction at the interface of adjacent glazes.

Several closeups of the interaction region of the two glazes are shown and, for context, a picture of the pot.

The background glaze is hankPaper_Z1R_2C_1, the foreground design is glazed with mashiko_ZJ_0_N.

The design is created by adhering a mask and then applying the main glaze. After drying, the entire pot is coated in wax,
then the mask is removed and the open area filled in with a second glaze.



Close up Images of the interaction region

full view

full view

full view



Image of the piece

full view

bowl with glaze hankPaper_Z1R_2C_1 and inlay mashiko_ZJ_0_N

bowl is ~6 inches in diameter



oxidation firing to cone 10 in an electric kiln

Firing profiles

Up Fire profile

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2300 deg F

Down Fire Profile

300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F

300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F

25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F

Clay body is a grolleg porcelain from Tacoma Clay Art Center.

glaze compositions

Background glaze

Empirical Formula hankPaper_Z1R_2C_1 :

K2O        .13
Na2O        .12
Li2O        .04
CaO        .14
MgO        .02
BaO        .31
SrO        .24

Al2O3        .42

SiO2        2.7
TiO2        .14

1% Cobalt Carbonate, and 0.67% Copper Carbonate have been added to the base glaze.

molecular percent Silica 63%



Inlay Glaze

mashiko_ZJ_0_N :

K2O        .12
Na2O        .11
Li2O        .10
CaO        .26
MgO        .41

Al2O3        .82
Fe2O3        .23

SiO2        5.68

molecular percent Silica 73%



Remarks

The interaction region dominates the design, leaving only scattered bits of the design glaze inlay. The background glaze ate into
the design glaze creating the baroque curlicues in the design.

The design glaze, mashiko_ZJ_0_N is a stiff high alumina saturated iron oil spot glaze. The background glaze is lower in alumina and contains
both barium and strontium.

These are dissimilar in character which results in an interaction region which is unlike either glaze,
both in range of colors and texture.

The background glaze has migrated throughout the inlay glaze, as is seen in the occurance of orange within the inlay.

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