Intertwined glazes

The interface of adjacent glazes.

Several closeups of the interaction region of the two glazes are shown and, for context, a picture of the pot.

The background glaze is hiAl_4Z_3, the foreground design is glazed with mashiko_ZJ_0_N.

The design is created by adhering a mask and then applying the main glaze. After drying, the entire pot is coated in wax,
then the mask is removed and the open area filled in with a second glaze.



Close up Images of the interaction region

full view

full view

full view



Image of the piece

full view

bowl with glaze hiAl_4Z_3 and inlay mashiko_ZJ_0_N

bowl is ~8 inches in diameter



oxidation firing to cone 10 in an electric kiln

Firing profiles

Up Fire profile

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile

300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F

300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F

25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F

Clay body is a grolleg porcelain from Tacoma Clay Art Center.

glaze compositions

Background glaze

Empirical Formula hiAl_4Z_3 :

K2O        0.16
Na2O        0.41
Li2O        0.19
CaO        0.04
MgO        0.10
SrO        0.10

Al2O3        0.6

SiO2        3.24
TiO2        0.22

molecular percent Silica 64%



Inlay Glaze

mashiko_ZJ_0_N :

K2O        0.11
Na2O        0.11
Li2O        0.1
CaO        0.26
MgO        0.42

Al2O3        0.82
Fe2O3        0.23

SiO2        5.68

molecular percent Silica 73.4%



Remarks

The background glaze and inlay glaze live in different regions of the land of glaze. The background is a high titanium glaze,
high in alkali metals, containing minimal CaO; the inlay glaze is an oil spot saturated iron glaze
low in alkali metals and high in CaO.

Strikingly, the background glaze is here fired a bit above its natural firing range, which is the likely cause of its heavy crazing.
This glaze matures at cone 6, and at cone 6 is a titanium blue.

Note the rutile crystals which form surrounding the inlay. These crystals also form at the bottom edge where the glaze ends at the foot of the pot.

These crystals nucleate, i.e get their start at a dissimilar material, much as rock candy, sugar crystals, form on a string dipped
in supersaturated sugar solution.

The inlay glaze, mashiko_ZJ_0_N was applied thickly, and by itself forms oil spots. Here, as a result of its thick application,
its surface froze, i.e. solidified while the bulk glaze beneath remained fluid. The result, was a missmatch in dimension
between bulk and surface. The bulk finally solidified later and at a lower temperature, so it shrank while the surface size was fixed,
leaving the surface to pucker up as it remained attached to the bulk material. That puckering
of the surface produced the "washboard" look which is seen in the close-up images.

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