Iron Yellow

This glaze has a micro-crystalline surface, yet has a silky smooth feel. It is a pale iron yellow.

This glaze is derived by a circuitous route from the molecular percent for a Longuan northern celedon glaze given by Nigel Wood
in chapter 4 of his book Chinese Glazes. Because it is fired in oxidation, it has silicon carbide added to promote locale reduction.

longquan_n_song_Z2H_0

full view

inside of bowl:



full view

Outside of bowl:



bowl is ~3 inches in diameter



oxidation firing to cone 10 in an electric kiln

Firing profiles

Up Fire profile

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile

300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F

300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F

25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F

Clay body is a grolleg porcelain from Tacoma Clay Art Center.

glaze compositions

Empirical Formula glaze longquan_song_Z2H_0 :

This glaze has 0.2% silicon carbide added.

K2O        0.14
Na2O        0.07
CaO        0.60
MgO        0.11
ZnO        0.08

Al2O3        0.54
Fe2O3        0.01

SiO2        2.79

molecular percent Silica 64.3%



Remarks

A line was crossed.

The celadons given by Nigel Wood were underfired in an oxidation firing at cone 10.
Reducing the silica will give a seemingly mature glaze, which however will likely craze.

Replacing alkali metals with alkaline earths decreased crazing in these glaze. I wondered how far that could go,
and what the transition would look like.

This glaze has slightly higher alkali metals than the Longquan north song celadon given by Nigel Wood,
with substantially lower silica.

As local reduction is irrelevant to an iron yellow, it will be interesting to see the color of this glaze without the SiC.

Carol's Home Page