Migrating abutting glazes

The interface of adjacent glazes.

Several closeups of the interaction region of the two glazes are shown and, for context, a picture of the pot.

The background glaze is longquan_n_song_Z2G_2I_0, the foreground design is glazed with iron_8_R_C10_13PSi.

The design is created by adhering a mask and then applying the main glaze. After drying, the entire pot is coated in wax,
then the mask is removed and the open area filled in with a second glaze.



Close up Images of the interaction region

full view

full view

full view



Image of the piece

full view

bowl with glaze longquan_n_song_Z2G_2I_0 and inlay glaze iron_8_R_C10_13PSi

bowl is ~7 inches in diameter



oxidation firing to cone 10 in an electric kiln

Firing profiles

Up Fire profile

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile

300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F

300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F

25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F

Clay body is a grolleg porcelain from Tacoma Clay Art Center.



glaze compositions

background Glaze

longquan_n_song_Z2G_2I_0 :

K2O        0.15
Na2O        0.16
CaO        0.51
MgO        0.09
ZnO        0.09

Al2O3        0.43

SiO2        3.61

molecular percent Silica 71%

Added:

0.2% silicon carbide as local reducing agent.



Inlay glaze

Empirical Formula iron_8_R_C10_13PSi :

K2O        0.11
Na2O        0.45
Li2O        0.25
CaO        0.17
MgO        0.02

Al2O3        0.56
Fe2O3        0.28

SiO2        3.12

molecular percent Silica 63%



Remarks

The background glaze and inlay glaze belong to different glaze families. The background is high in CaO, moderate in alkali metals,
containing trace amounts of iron; the inlay glaze is a saturated iron glaze, high in alkali metals, and lower in silica.
As a result the inlay glaze is fluid, the background glaze viscous.

Iron from the inlay migrated into the background creating a range of iron colors. The range of colors reflects the changes in iron concentration.

The background glaze developed crazing near the inlay, yet beyond the iron induced color changes. This would indicate that other components,
in addition to iron, are moving into the matrix.

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