Migrating abutting glazes

The interface of adjacent glazes.

Several closeups of the interaction region of the two glazes are shown and, for context, a picture of the pot.

The background glaze is longquan_n_song_Z2S_1; the foreground design is glazed with ru_P_tsabar_PMg.

The design is created by adhering a mask and then applying the main glaze. After drying, the entire pot is coated in wax,
then the mask is removed and the open area filled in with a second glaze.



Close up Images of the interaction region

full view

full view

full view



Image of the piece

full view

plate with glaze glaze longquan_n_song_Z2S_1 and inlay ru_P_tsabar_PMg

plate is 10 inches in diameter



oxidation firing to cone 10 in an electric kiln

Firing profiles

Up Fire profile

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile

300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F

300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F

25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F

Clay body is a grolleg porcelain from Tacoma Clay Art Center.



glaze compositions

Background glaze

Empirical Formula longquan_n_song_Z2S_1 :

K2O        0.11
Na2O        0.13
Li2O        0.09
CaO        0.48
MgO        0.10
ZnO        0.09

Al2O3        0.44
Fe2O3        0.015

SiO2        3.8

molecular percent Silica 72%

Added:

0.02% Cobalt Carbonate

0.2% silicon carbide for local reduction



Inlay Glaze

Empirical Formula ru_P_tsabar_PMg :

K2O        0.15
Na2O        0.07
CaO        0.59
MgO        0.17
ZnO        0.02

Al2O3        0.5
Fe2O3        0.02

SiO2        2.54
P2O5        0.01

molecular percent Silica 62%

0.5% silicon carbide for local reduction



Remarks

The matrix glaze is higher in alkali metals and silica.

Silica migrates from the matrix into the inlay and very nearly absorbs the inlay into the matrix.

Trapped bubbles beneath the surface are common in viscous glazes. The magnification makes
the bubbles look huge.

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