Copper Colors

This glaze is a variegated purple and white micro-crystalline matte. If thin the color dissapears, else if sufficiently thick,
larger maroon fragments dominate.

This is derived from David Tsabar's cone 9 waxy matte copper red glaze. It is the tile in the upper left corner of the biaxial test.

The derived glaze, tsabar-harris-red-PSiAl, has no tin oxide, increased alumina and silica, and some
of the CaO replaced by SrO. It is then fired to a hot cone 10.

tsabar-harris-red-PSiAl

full view

inside of bowl:



full view

Outside of bowl:



bowl is ~3 inches in diameter



oxidation firing to cone 10 in an electric kiln

Firing profiles

Up Fire profile

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile

300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F

300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F

25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F

Clay body is a grolleg porcelain from Tacoma Clay Art Center.

glaze compositions

Empirical Formula glaze tsabar-harris-red-PSiAl :

This glaze has 0.5% Copper Carbonate and 0.5% silicon carbide added

K2O        0.24
Na2O        0.07
CaO        0.41
MgO        0.02
SrO        0.19
ZnO        0.07

Al2O3        0.62
Fe2O3        0.02

SiO2        3.47

molecular percent Silica 67.8%



Remarks

It seemed that the original glaze tsabar-harris-red, was overfired at a hot cone 10, because it became glossy if thickly applied.
For that reason, I increased the silica and alumina, maintaining contant the silica:alumina ratio. This is equivalent
to deceasing the fraction of basic components of the glaze.

Replacing some CaO with SrO also can often stiffen a glaze. It would seem, I can't restrain myself to only one change.
Occasionally the result of this, as in this case is interesting.

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