No Bone Ash

A sparkly black and brown glaze, iron_8_R_Plus_SatIron_ZG, with its bone ash removed,
turns into a drippy tenmoku glaze with interesting markings,
iron_satIron_Z2W_0.

Images are shown of the precursor glaze, containing bone ash, its derived glaze, and
closeups of the tenmoku surface.



Image of the precursor glaze, iron_8_R_Plus_SatIron_ZG

This is the glaze which contains Bone Ash.

full view

inside

full view

outside

bowl is is 5 inches in diameter



Image of the glaze iron_satIron_Z2W_0

The derived glaze, the glaze with bone ash omited.

full view

inside

full view

outside

bowl is is 3 inches in diameter



Close-up Images of the surface of iron_satIron_Z2W_0

full view

full view



oxidation firing to cone 10 in an electric kiln

Firing profiles

Up Fire profile

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile

300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F

300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F

25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F

Clay body is a grolleg porcelain from Tacoma Clay Art Center.



glaze compositions

Empirical Formula iron_8_R_Plus_satIron_ZG :

K2O        0.18
Na2O        0.34
Li2O        0.24
CaO        0.17
MgO        0.07

Al2O3        0.52
Fe2O3        0.18

SiO2        3.25
P2O5        0.04

molecular percent Silica 65%



Empirical Formula iron_satIron_Z2W_0 :

K2O        0.21
Na2O        0.41
Li2O        0.27
CaO        0.04
MgO        0.07

Al2O3        0.61
Fe2O3        0.23

SiO2        3.81

molecular percent Silica 67%



Remarks

The close-up pictures were taken with a digital microscope.

The tenmoku glaze satIron_Z2W_0 has intriguing markings, I imaginatively describe them
as micro-partridge feathers. The close up pictures are included to show these markings.

The original glaze with bone ash shows no signs of flowing. Omitting the bone ash removes the phosphorus,
a glass former, while simultaneously reducing the base (flux) content of the glaze. This results in a glaze with
higher alumina and silica. Nevertheless, it is more fluid. Phosphorus is a glass former,
which stiffens the glaze.

Some flux was removed, together with some glass former. In this case it would seem the missing glass former
is more important than the missing flux.

Alternatively, perhaps the higher proportion of alkali metals in the transformed glaze
caused the greater fluidity.

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