Here I show two pieces with saturated iron background glazes: one is glossy
black with silver colored
A line is crossed; two dissimilar appearing glazes have nearly equal total
alkali metals and alumina, with small differences
The design, which is not addressed in this analysis, is created by adhering a
mask and then applying
mug is ~ 4.5 inches high.
Bowl is ~7 inches in diameter.
150 deg F an hour to 250 deg F
400 deg F an hour to 1800 deg F
300 deg F an hour to 2050 deg F
120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F
300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F
300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F
25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F
K2O 0.15
Al2O3 0.71
SiO2 4
molecular percent Silica 67.6%
K2O 0.15
Al2O3 0.69
SiO2 3.84
molecular percent Silica 67%
K2O .09
Al2O3 .43
SiO2 2.7
molecular percent Silica 65%
Added:
1% Cobalt Carbonate
.67% Copper Carbonate
K2O 0.12
Al2O3 0.42
SiO2 2.7
molecular percent Silica 63%
Added:
1% Cobalt Carbonate
.67% Copper Carbonate
In the computed empirical formulas, the CaO:MgO balance differs; the first
glaze, iron_mashiko_satIron_Z2Y,
None of these differences seem in themselves to account for the difference in
appearance. Because the recipes contain
metallic markings, the other waxy-textured with a
variety of browns and a lighter golden brown precipitate.
in the other oxides in
their empirical formulae. These glazes are in distinct glaze families. By that
I mean
that the composition of the phases in these two glazes are
different. The first glaze has a silvery metallic
precipitate which
forms an irregular connected network, the other a brown pricipitate
which occurs only in disjoint,
nearly equally spaced disks. The first is a
tenmoku, the second not.
the main glaze. After drying, the entire pot is coated
in wax, then the mask is removed and the open area
filled in with a second
glaze.
Image of the pieces
mug with iron_mashiko_satIron_Z2Y and inlay alexanderBowl_0_Z1Y
bowl with glaze mashiko_alk_179_1_Z30-0 and inlay hankPaper_Z1R_2C_1
oxidation firing to cone 10 in an electric kiln
Firing profiles
Up Fire profile
Down Fire Profile
Clay body is a grolleg porcelain from Tacoma Clay Art Center.
glaze compositions
Background glazes
Empirical Formula iron_mashiko_satIron_Z2Y :
Na2O 0.36
Li2O 0.21
CaO 0.12
MgO 0.16
Fe2O3 0.21
Empirical Formula mashiko_alk_179_1_Z30-0 :
Na2O 0.35
Li2O 0.22
CaO 0.10
MgO 0.18
Fe2O3 0.2
Inlay Glazes
alexanderBowl_0_Z1Y :
Na2O .05
CaO .70
MgO .16
Empirical Formula hankPaper_Z1R_2C_1 :
Na2O 0.12
Li2O 0.05
CaO 0.14
MgO 0.02
BaO 0.31
SrO 0.24
TiO2 0.14
Remarks
having slightly higher CaO and lower MgO than
the second, mashiko_alk_179_1_Z30-0. The first glaze has slightly higher
alumina
and silica along with a slightly higher silica:alumina ratio.
different materials, inaccurate
materials analysis may have contributed to a greater difference in empirical
formula
than seen in the computations.