Investigating distinct background glaze for leaf prints. Here an oil spot
glaze gives a leaf dominated by
Both background glazes have nearly identical bases, with similar silica
content as well. The primary
Oil spots are closely associated with bubbles forming in the glaze near the
final part of the firing,
plate is ~ 7 inches in diameter.
plate is ~ 7 inches in diameter.
150 deg F an hour to 250 deg F
400 deg F an hour to 1800 deg F
300 deg F an hour to 2050 deg F
120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F
300 deg F an hour to 1850 deg F then a 2 hour hold at 1850 deg F
300 deg F an hour to 1750 deg F then a 1 hour hold at 1750 deg F
300 deg F an hour to 1700 deg F then a 3 hour hold at 1700 deg F
25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F
K2O 0.17
Al2O3 0.89
SiO2 3.77
molecular percent Silica 63.4%
K2O 0.16
Al2O3 0.66
SiO2 3.65
molecular percent Silica 65.1%
K2O 0.43
Al2O3 0.54
SiO2 3.33
molecular percent Silica 48%
A leaf is softened by soaking in water laced with trisodium phosphate. After
the pot is glazed, the leaf is pressed
leopard spots. A fluid saturated iron glaze
gives a fanciful sunset colored effect.
difference is that lis-Z3P has
substantially higher alumina. This is visible in the substantially
higher
viscosity of that glaze.
with the resulting artifacts of that event
remaining. Perhaps for this reason a late maturing
saturated iron glaze
is more likely to exhibit oil spots.
Image of the plate with glaze lis-Z3P and leaf wash leaf_Z3K.
Image of the plate with glaze satIron_ZG_Z3N_Z3Q and leaf wash leaf_Z3K.
oxidation firing to cone 10 in an electric kiln
Firing profiles
Up Fire profile
Down Fire Profile
Clay body is a grolleg porcelain from Clay Art Center in Tacoma, WA.
glaze compositions
Empirical Formula lis-Z3P :
Na2O 0.55
CaO 0.26
MgO 0.02
Fe2O3 0.22
P2O5 0.07
Empirical Formula satIron_ZG_Z3N_Z3Q:
Na2O 0.55
CaO 0.27
MgO 0.02
Fe2O3 0.23
P2O5 0.07
Empirical Formulae of leaf wash glaze leaf_Z3K:
Na2O 0.53
CaO 0.04
P2O5 0.15
into the glaze. When the glaze
dries, a swatch of plate including the leaf is coated with wax. When the wax
is dry, the leaf is removed and the indentations in the glaze are coated
with a very thin layer of an
underfired glaze.