more cobalt colors

The glaze, zincSr_Z3W_0 is a descendants of zincSr_Z3S_0
shown here .

Prior descendants of zincSr_Z3S_0 are
shown here .

The appearance of this glazes is subtly transformed by an inversion of the order of the downfire holds
in the firing. I show this glazes in the six firings: Firing 1, and Firing 2, Firing 3, Firing 4, Firing 5 and Firing 6.

All five firings have the same upfire protocol.

Firing 1:

The downfire is my regular down firing, with holds at 1850 degF, 1750 degF, 1700 degF and 1650 degF.

Firing 2:

The downfire drops with a hold at 1650 degF, then rises back up with a hold at 1850 deg F, then back down
with a hold at 1700 deg F.

Firing 3:

The downfire drops with a hold at 1550 deg F, then rises back up with a hold at 1650 degF, then a hold at
1750 degF, then finally a hold at 1900 degF.

Firing 4:

The downfire drops with a hold at 1650 degF, then rises back up with a hold at 1850 DegF, drops with a hold
at 1750 degF, then finally a hold at 1700 degF.

Firing 5:

The firing drops with a hold at 1650 degF, rises back up with a hold at 1900 degF, drops with a hold at
1750 degF, then finally a hold at 1700 degF.

Firing 6:

The firing drops with a hold at 1650 degF, rises back up with a hold at 1850 degF, drops with a hold at
1750 degF, then finally a hold at 1700 degF.

The reasoning behind inversion of the order of the downfire holds is discussed here .

The design is created by adhering a mask and then applying the main glaze. After drying,
the mask is removed and the open area filled in with a second glaze, using a bulb syringe
with a needle applicator.



Image of the glaze zincSr_Z3W_0 in Firing 1

full view



Image of the glaze zincSr_Z3W_0 in Firing 2

full view



Image of the glaze zincSr_Z3W_0 in Firing 3

full view



Image of the glaze zincSr_Z3W_0 in Firing 4

full view



Image of the glaze zincSr_Z3W_0 in Firing 5

full view



Image of the glaze zincSr_Z3W_0 in Firing 6

full view



The first five bowls are ~6 inches in diameter, the last is ~9.5 inches in diameter.



oxidation firing to cone 10 in an electric kiln

Firing profiles

Firing 1 profile

Up Fire profile cone 10

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile cone 10

300 deg F an hour to 1850 deg F then a 2 hr hold at 1850 deg F

300 deg F an hour to 1750 deg F then a 1 hr hold at 1750 deg F

300 deg F an hour to 1700 deg F then a 3 hr hold at 1700 deg F

25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F



Firing 2 profile

Up Fire profile cone 10

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile cone 10

300 deg F an hour to 1650 deg F then a 3 hr hold at 1650 deg F

300 deg F an hour to 1850 deg F then a 2 hr hold at 1850 deg F

300 deg F an hour to 1700 deg F then a 2 hr hold at 1700 deg F



Firing 3 profile

Up Fire profile cone 10

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile cone 10

300 deg F an hour to 1550 deg F then a 1 hr hold at 1550 deg F

300 deg F an hour to 1650 deg F then a 1 hr hold at 1650 deg F

400 deg F an hour to 1750 deg F then a 2 hr hold at 1750 deg F

400 deg F an hour to 1900 deg F then a 3 hr hold at 1900 deg F



Firing 4 profile

Up Fire profile cone 10

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile cone 10

300 deg F an hour to 1650 deg F then a 3 hr hold at 1650 deg F

400 deg F an hour to 1850 deg F then a 2 hr hold at 1850 deg F

300 deg F an hour to 1750 deg F then a 1 hr hold at 1750 deg F

300 deg F an hour to 1700 deg F then a 3 hr hold at 1700 deg F



Firing 5 profile

Up Fire profile cone 10

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile cone 10

300 deg F an hour to 1650 deg F then a 3 hr hold at 1650 deg F

400 deg F an hour to 1900 deg F then a 3 hr hold at 1900 deg F

300 deg F an hour to 1750 deg F then a 1 hr hold at 1750 deg F

300 deg F an hour to 1700 deg F then a 3 hr hold at 1700 deg F



Firing 6 profile

Up Fire profile cone 10

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile cone 10

300 deg F an hour to 1650 deg F then a 3 hr hold at 1650 deg F

400 deg F an hour to 1850 deg F then a 3 hr hold at 1850 deg F

300 deg F an hour to 1750 deg F then a 1 hr hold at 1750 deg F

300 deg F an hour to 1700 deg F then a 3 hr hold at 1700 deg F



Clay body is a grolleg porcelain from Clay Art Center in Tacoma, WA.



glaze composition

Empirical Formula zincSr_Z3W_0:

K2O        0.19
Na2O       0.28
CaO        0.02
MgO        0.19
SrO        0.14
ZnO        0.18

Al2O3      0.53

SiO2       3.08

molecular percent Silica 66.8%

Added:

2.5% Cobalt Carbonate



Inlay Glaze:

Empirical Formula inlay hiAlk_Z3P_Z3V_0:

K2O        0.18
Na2O       0.41
CaO        0.31
MgO        0.10

Al2O3      0.64

SiO2       3.54
P2O5       0.07
TiO2       0.21

molecular percent Silica 64.9%



Remarks

My only reliable conclusion - any substantial change in the ordering or length of the holds has an effect.

There were two firings with a hold at 1900 degF, Firings-3 and Firing-5, both with three hour holds. The Firing-3
ends with the hold at 1900 degF, the Firing-5 has holds below. The result in Firing-3 seems more dramatic,
perhaps the lower holds erased some of that.

The two firings, Firing-4 and Firing-6 differ only in the length of the hold at 1850 degF. The result in
Firing-6 shows more pink and a paler blue. Can that really have been the result of a longer hold at 1850 degF? It is
possible that a different geometry for the bowl, and a slightly larger size resulted in a different
glaze thickness. There were several other cobalt glazes fired in both Firing-4 and Firing-6, all showed a
consistent shift in the balance between pink and blue.

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