Variants on an Oribe glaze of David Woof

Here is my first foray at an Oribe glaze. The original glaze for this work is the glaze oribe-woof
provided by David Woof, which is the last shown.

Everything moves faster in reduction, I have seen the results of the same glaze and body,
fired to the same cone in both reduction and oxidation, the difference is substantial.

As David Woof fires in reduction in a fuel burning kiln in the range cone 10 to cone 12, and I in an
electric kiln at cone 10, I expected this glaze would be substantially underfired, hence the three variants.

I was most amazed by the crystals which grew in all of these glazes, I hope that the close up images
of the surface, much enhanced, give some indication of the range of crystals formed.

For each of the four glazes shown here, I show close up images of the surface, and an image of the pot.



oribe-woof-PAlk

full view

full view

close ups of glaze oribe-woof-PAlk



full view

full view

oribe-woof-PAlk

bowl is ~3.5 inches in diameter



oribe-woof-PAl

full view

full view

close ups of glaze oribe-woof-PAl



full view

full view

oribe-woof-PAl

bowl is ~3.5 inches in diameter



oribe-woof-PAlAlk

full view

full view

close ups of glaze oribe-woof-PAlAlk



full view

full view

oribe-woof-PAlAlk

bowl is ~3.5 inches in diameter



oribe-woof

full view

full view

close ups of glaze oribe-woof



full view

full view

oribe-woof

bowl is ~3.5 inches in diameter



oxidation firing to cone 10 in an electric kiln

Firing profiles

Up Fire profile cone 10

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile cone 10

300 deg F an hour to 1650 deg F then a 3 hr hold at 1650 deg F

400 deg F an hour to 1850 deg F then a 2 hr hold at 1850 deg F

300 deg F an hour to 1750 deg F then a 1 hr hold at 1750 deg F

300 deg F an hour to 1700 deg F then a 3 hour hold at 1700 deg F



Clay body is a grolleg porcelain from Clay Art Center in Tacoma, WA.



glaze compositions

Empirical Formula oribe-woof-PAlk :

K2O        0.16
Na2O       0.05
CaO        0.64
MgO        0.15

Al2O3      0.29

SiO2       2.7
P2O5       0.01

molecular percent Silica 67.5%

added:

5% Black Copper Oxide



Empirical Formula oribe-woof-PAl :

K2O        0.10
Na2O       0.04
CaO        0.67
MgO        0.19

Al2O3      0.35

SiO2       2.79
P2O5       0.01

molecular percent Silica 67.1%

added:

5% Black Copper Oxide



Empirical Formula oribe-woof-PAlAlk :

K2O        0.13
Na2O       0.05
CaO        0.64
MgO        0.18

Al2O3      0.36

SiO2       2.75
P2O5       0.01

molecular percent Silica 66.7%

added:

5% Black Copper Oxide



Empirical Formula oribe-woof :

K2O        0.10
Na2O       0.04
CaO        0.69
MgO        0.17

Al2O3      0.29

SiO2       2.68
P2O5       0.01

molecular percent Silica 67.3%

added:

5% Black Copper Oxide



Remarks

It seems that a small change in the empirical formula of the glaze changes the morphology of the crystals formed.
Perhaps the composition changes as well.

In oribe-woof-PAlk are seen acicular crystals, with bands of distinct colors radiating out from the center.

In both oribe-woof-PAl and oribe-woof-PAlAlk are seen needle crystals, which form acicular crystals.

The range of colors seen is real, those greens/whites and reds are all visible with close examination with a
jewelers lope. Though that lovely aqua is seen only in the original glaze oribe-woof.

The interesting surface textures are seen only with a thick application, which is feasable
as these glazes have high viscosity.

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