A mysterious yellow band

This is a further exploration of a firing which has a slow up-fire in addition to having the usual
holds on the way down.

The matrix glaze, hiAlk_satIron_Z4L_0, is a high silica iron-titanium-phosphorus glaze,
variegated with multiple competing iron bearing micro-crystals. The inlay glaze, cooper_404_1Na_PMZn,
which I have characterized as a calico glaze; is a zinc-barium confection with almost no calcium,
yet as high in silica as the matrix glaze. It has its own crystals. The many distinct oxides these two
compositions provide for the occurrence of a distinctive sharply demarcated yellow band in the
interaction region.

That bright yellow band framing the inlay is seen in the last close-up image to be bounded on both
inside and outside by a narrow brown band. Additionally, sharply pointed needle crystals are seen within
that yellow band. Careful inspection even shows a chartreuse band between that yellow and the brown edging
bounding the inside border of the background.

Perhaps that yellow is an iron yellow, and the sharpness of the boundary is the result of the narrow
window of concentration in which iron can be yellow. That would be fully consistent with the difficulty
of producing an iron yellow glaze.

Perhaps, as with the many colors in the background glaze, these distinct bands of color are various iron
bearing micro-crystalline clusters, in various sizes and compositions.

I'm curious about the chemistry that caused these sharply demarcated bands of distinct colors about the inlay.

The matrix (i.e., background) glaze and inlay glaze overlap minimally before firing. The width of the
original inlay varied from an eighth of an inch to three quarters of an inch.

The design is created by adhering a mask and then applying the main glaze. After drying,
the mask is removed and the open area filled in with a second glaze, using a bulb syringe
with a needle applicator.

The close-up images were heavily edited to enhance detail. The colors of the full image of the bowl
are as they appear in bright light.



Close up Images of the interaction region

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Image of the piece

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bowl with glaze hiAlk_satIron_Z4L_0 and inlay cooper_404_1Na_PMZn

bowl is ~6 inches in diameter



oxidation firing to a hot cone 10 in an electric kiln

Firing profiles

Up Fire profile hot cone 10

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

200 deg F an hour to 2220 deg F then a 90 min hold at 2220 deg F

90 deg F an hour to 2320 deg F

Down Fire Profile hot cone 10

300 deg F an hour to 1850 deg F then a 2 hr hold at 1850 deg F

300 deg F an hour to 1750 deg F then a 1 hr hold at 1750 deg F

300 deg F an hour to 1700 deg F then a 3 hr hold at 1700 deg F

25 deg F an hour to 1650 deg F then a 1 hr hold at 1650 deg F



Clay body is a grolleg porcelain from Clay Art Center in Tacoma, WA.



glaze composition

Empirical Formula hiAlk_satIron_Z4L_0 :

K2O        0.12
Na2O       0.54
CaO        0.32
MgO        0.02

Al2O3      0.62
Fe2O3      0.10

SiO2       3.17
P2O5       0.07
TiO2       0.11

molecular percent Silica 62.5%



Inlay Glaze:

Empirical Formula cooper_404_1Na_PMZn

K2O        0.07
Na2O       0.27
CaO        0.04
MgO        0.01
BaO        0.22
ZnO        0.39

Al2O3      0.33

SiO2       2.47

molecular percent Silica 65%

Added:

1.5% Nickel Oxide



Remarks

This firing features a 'rounded at the top' firing profile; with a hold of an hour and a half at 100 degreesF
below top temperature, and a slow climb from there to the top temperature.

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