Here a local reduction copper glaze breaking aqua and purple. This is a
microcrystalline semi-matte glaze, neither as high in silica nor
inside of bowl:
Outside of bowl:
150 deg F an hour to 250 deg F
400 deg F an hour to 1800 deg F
300 deg F an hour to 2050 deg F
120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F
300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F
300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F
25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F
The glaze with added .5% copper carbonate, 2% tin oxide, and 1% silicon
carbide.
K2O .08
Al2O3   .48
SiO2   2.65
molecular percent Silica 64%
This is a non-traditional formulation for a copper red glaze, it is an
exploration.
I am fascinated by varigated, multi-colored glazes, which the usual glossy
copper red isn't. Then too I hadn't any success
Here I push the composition of the base glaze in a direction that I hoped
would produce a more varied result.
Slow diffusion of oxides within a glaze works against a uniform melt. Because
this promotes phase separation resulting in multi-textured,
as fluid
as the usual copper red glaze.
Glaze alexanderBowl_Z15_0 with copper carbonate
bowl is ~4 inches in diameter
oxidation firing to cone 10 in an electric kiln
Firing profiles
Up Fire profile
Down Fire Profile
Clay body is a grolleg porcelain from Tacoma Clay Art Center.
glaze compositions
Empirical Formula glaze alexanderBowl_Z15_0 :
Na2O .05
CaO .7
MgO .17
Remarks
producing such a
glaze with local reduction. Yet copper with its multiple oxide states is
fascinating.
multi-colored
results, I made choices that would slow oxygen movement and reoxidation. With
lower silica and higher alumina than
the usual formulation for a copper red
glaze, I expected that oxygen movement within the glaze would be slower. With
local reduction
via silicon carbide as a reducing agent, perhaps the result
would be slower reoxidation. The result was this semi-matte aqua and purple
glaze.