Calico again

Here again, after a long hiatus, is the calico effect, Strongly colored markings with sharply defined margins.

Here is an example of the calico glazes I worked on in 2016.

As previously, the starting point is a modification of the glaze 404 from Emmanuel Coopers book
"The Potters Book of Glaze Recipes".

I am starting over, with lower silica:alumina ratio than in prior work.



The glazes

cooper_404_1_MSi

full view

Inside of bowl:

full view

Outside of bowl:

bowl is ~3 inches in diameter



glaze cooper_404_1_EU

full view

Inside of bowl:

full view

Outside of bowl:

bowl ~3 inches in diameter



oxidation firing to cone 10 in an electric kiln

Firing profiles

Up Fire profile

150 deg F an hour to 250 deg F

400 deg F an hour to 1800 deg F

300 deg F an hour to 2050 deg F

120 deg F an hour to 2310 deg F with a hold of 20 minutes at 2310 deg F

Down Fire Profile

300 deg F an hour to 1750 deg F then a half hour hold at 1750 deg F

300 deg F an hour to 1700 deg F then a Three hour hold at 1700 deg F

25 deg F an hour to 1650 deg F then a one hour hold at 1650 deg F

Clay body is a grolleg porcelain from Tacoma Clay Art Center.



glaze compositions

Empirical Formula cooper_404_1_MSi :

K2O        0.20
Na2O        0.08
Li2O        0.07
BaO        0.25
CaO        0.02
MgO        0.01
ZnO        0.37

Al2O3        0.33

SiO2        2.12

molecular percent Silica 61.5%



Empirical Formula cooper_404_1_EU :

K2O        0.14
Na2O        0.22
BaO        0.22
CaO        0.03
MgO        0.01
ZnO        0.38

Al2O3        0.33

SiO2        2.4

molecular percent Silica 64.5%



Remarks

The glaze cooper_404_1_MSi shows pitting in the center of the bowl as a result of an unduly heavy glaze application.
It is a dry stony glaze, slightly underfired. This glaze will require much additional work to be usable on utilitarian ware.

The glaze on the outside of each bowl is half the thickness of that on the inside, yet in both cases the calico markings
are visible on the outside. In prior work, the markings were visible only with a thick application of glaze.
As these are all immensely viscous glazes, the result was a high risk of dunting.

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